On our way back home to Austin from New Mexico we stopped to hang out in Marfa. My good friends Caitlin Murray and Tim Johnson live there. Tim owns the Marfa Book Company which is the only book store in Marfa. The store had shrunk in size a bit since the last time I was there in August 2008, but Caitlin assured me that it still possessed the same number of book shelves. One thing that hadn’t changed was the art space in the back. There is an awesome show of work by Anthony DeSimone, who’s moved to Marfa from Marin County. The show is called Space Happenings and will be up through August 23rd.
Here are some install shots:
August 21st, 2009
Road Trippin’: Marfa
August 20th, 2009
SHAMANMAN #2
I finished the second installment of SHAMANMAN last nite, and I submitted it to SMOKE SIGNAL.
It may be too late for the comic to be in the second issue of SMOKE SIGNAL, which comes out August 29th, but hopefully it’ll appear in issue number three! I’ll keep y’all posted.
August 19th, 2009
Road Trippin’: Turquoise Trail
I saw this awesome pyramidal structure on the Turquoise Trail that runs through the mountains between Albuquerque and Santa Fe:
I had lunch with my Land Arts professor at UNM and he told me that it’s the house of someone who’s really into crystals and ley lines. Speaking of crystals, I got this gem at the Tinkertown Museum gift shop (a fascinating place to stop by if y’all ever get the chance):
According to my father, who’s a geophysicist, that rock is a slice of agate, which is, aptly, an aggregate of crystals that have grown together. Agates are usually clear, but this one has been stained pink. I was hoping that the pink was natural, but oh well, in my world that crystal mass is the third eye of the skull on my shirt.
August 18th, 2009
End of Eros
While I was away in New Mexico, I got a copy of my good buddy Jose-Luis Olivares’ comic End of Eros in the mail. I love Jose’s extravagant mark making. It looks like he attacks each page vigorously with his brush.
Here’s a sample:
Check out how Jose uses different types of Zip-A-Tone and a spot gray:
The story involves a whole lot of melting, fusing, and transforming, which I’m obviously a fan of. To top it all off, Jose threw in an awesome piece of original art:
And a Power Rangers card from the distant future (notice the authentic browning caused, as we all know, by time travel):
Thanks Jose!
August 17th, 2009
Road Trippin’: ‘Bu’rque
As I’ve mentioned, I was in Albuquerque this past week was to install a sculpture for Dispersal/Return, a curated show of Land Arts of the American West alumni at the University of New Mexico Art Museum. Albuquerque is a pretty weird place: as my friend Ryan Henel put it, the city is the Baltimore of the southwest. I gotta say, I dig both places. Fortunately the University Art Museum is across historic Route 66 from the Frontier, a five-roomed New Mexican cuisine emporium. I feasted on fat breakfast burritos stuffed with green chilis. Glade and I brought a jar of chilis and a bag of Albuquerque tortillas back and had breakfest burritos yesterday morning, mmm hmm. Anyway, here’s a shot of the installation of the Cryptostructure in progress:
The sculpture is a pedestal with two TVs and PVC pipe on top that’s all wrapped in a blue tarp. Here’s the animation that’s playing on the TVs:
I bought a red light to shine on the Cryptostructure so that it’ll look more like my installation at MASS (see my previous post on this subject) but I won’t know if the curators decide to use it unless I go to the reception, which will be on September 24th. I don’t know for sure if I’ll be able to make it, but my fellow Landartians Li’l Bunny Krunk and the Dirty Monke will be performing there and then hosting their variety show Sunday School at the Petting Zoo in Albuquerque that Sunday. If I go, I’ll be sure to document and then share with y’all.
August 15th, 2009
Froghead Hangover at Domy Books in Austin
We just got back from our road trip to Albuquerque, Santa Fe, and Marfa Friday nite. It was a blast, I’ve planned 29388729075230 blog posts about it but we’ll see how many I actually get to. Glade and I just went to the Domy Books here in Austin, she dropped off a bunch of new cards and I dropped off five copies of Froghead Hangover (reviews here, here, and here). They’re two dollars, get them while you can!
The show that’s up at Domy right now is called Libres y Lokas, I think my buddy Anthony Romero would really dig it if he was still in town. I also got a really well-made local book called Observations & Daily Life by Haley McMichael, Important Comics by Dina L. Kelberman, and books of really kewl drawz by Lisa Hanawalt and Deth P. Sun.
August 14th, 2009
Siddhartha Obama
This digital print, Siddhartha Obama, is a still from Kenneth Tin-Kin Hung’s video In G.O.D. We Trust, in which Hung mythologizes Obama’s struggles by depicting our President as an avatar of the deities of seven world religions. What’s amazing about this video is how much meaning and iconography Hung packs in to each frame.
Thanks Jak.
August 11th, 2009
Dispersal/Return
This week I’m in Albuquerque installing a Cryptostructure in the University of New Mexico Art Museum for Dispersal/Return, an exhibition that’s part of the LAND/ART symposium.
A Cryptostructure, from my installation Cryptostructures of the Urscape at MASS gallery back in 12/2008.
A little history: back in the Fall of 2004, I participated in Land Arts of the American West, a study-abroad program that (at that time) was between the University of New Mexico and the University of Texas. It was a six-week journey through the Southwest where we investigated the various ways that humans use and respond to the extremes of the landscape and made art that engaged with what we learned. The program continues to create opportunities like this for its alumni. I’ll have some photos to share with y’all when I get back.
August 7th, 2009
Folk #4
I just got Folk #4 in the mail today, courtesy of the source of sci-fi mini-comic greatness, Tyler Stafford. This is the third issue of Folk that I’ve read, and they just keep getting better and better! Stafford’s storylines harken back to old-school sci-fi pulp stories but the art and layouts are informed by a twenty-first century cartoon aesthetic. According to the intro, Stafford’s computer is “on the fritz” so this issue is 11 x 17 sheets folded in half (I guess he draws the pages 8.5 x 11?). The larger art looks good, maybe Stafford should continue to make his comics this big.
Here’s a page that encapsulates the concept of the issue:
That page also showcases one of the aspects of Stafford’s comics that I dig the most, the way he blends his borderless scenes together while keeping the flow between them highly readable.
This next page, though, shows the most interesting thing about this comic, the way that Stafford portrays the experience of feeling someone else’s dream on tape:
I highly recommend this comic and I’m going to keep buying everything that Stafford puts out. You can buy Folk #4 here.
August 5th, 2009
GCPM Website
I just threw up a website for the Gold County Paper Mill last nite, go check it out: